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・ Edward Kofler
・ Edward Kolb
・ Edward Kopówka
・ Edward Kosner
・ Edward Kossoy
・ Edward Kottick
・ Edward Kowalski
・ Edward Kozłowski
・ Edward Kpodo
・ Edward Kramer Thompson
・ Edward Kravitz
・ Edward Kresge
・ Edward Kutchat
・ Edward Kwaku Utuka
・ Edward Kwame Wiredu
Edward Kynaston
・ Edward Kynaston (disambiguation)
・ Edward Kyrton
・ Edward Kłosiński
・ Edward L Woodruff
・ Edward L. Allen
・ Edward L. Alperson
・ Edward L. Athey
・ Edward L. Atkinson
・ Edward L. Ayers
・ Edward L. Bader
・ Edward L. Baker, Jr.
・ Edward L. Beach Jr.
・ Edward L. Beach, Sr.
・ Edward L. Beck


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Edward Kynaston : ウィキペディア英語版
Edward Kynaston

Edward Kynaston (c. 1640 – January 1712) was an English actor, one of the last Restoration "boy players", young male actors who played women's roles.
==Career==
Kynaston was good looking and made a convincing woman: Samuel Pepys called him "the loveliest lady that ever I saw in my life" after seeing him in a production of John Fletcher's ''The Loyal Subject'' at the Cockpit-in-Court, "only her () voice not very good". He also played the title role in Ben Jonson's ''Epicoene''. Pepys had dinner with Kynaston after this production on 18 August 1660.〔(The Diary of Samuel Pepys ), Saturday 18 August 1660.〕
Simultaneously, Kynaston played male roles as well. He filled the role of Otto in ''Rollo Duke of Normandy'' on 6 December 1660, having played the female role of Arthiope in the same play in previous weeks. On 7 January 1661, Kynaston played three roles in a performance of Jonson's ''Epicoene'', one female and two male.〔Howe, Elizabeth. ''The First English Actresses: Women and Drama, 1660–1700''. Cambridge, Cambridge University Press, 1992; p. 25.〕
Part of Kynaston's appeal may have been his ambiguous sexuality. The actor Colley Cibber recalled: "the Ladies of Quality prided themselves in taking him with them in their Coaches to Hyde-Park in his Theatrical Habit, after the Play."〔Colley Cibber, ''An Apology for the Life of Colley Cibber, With an Historical View of the Stage During His own Time: Written by Himself'', Byrne R. S. Fone, ed., Mineola, NY, Courier Dover, 2000; p. 71.〕
Cibber also reported that a performance of a tragedy attended by Charles II was once delayed because, as someone explained, Kynaston, who was playing the Queen, "was not shav'd".〔Cibber, p. 71.〕
In the 1660s women were permitted to appear on stage and male actors playing female roles in serious drama was strongly discouraged. Kynaston's last female role was as Evadne in Beaumont and Fletcher's ''The Maid's Tragedy'' with Thomas Killigrew's King's Company in 1661.
Described by Samuel Pepys as "the prettiest woman in the whole house" and "the handsomest man", the rumor of the time had him playing female roles off stage as well. When already in his thirties, lampoons circulated that made him out to be the lover of George Villiers, 2nd Duke of Buckingham.〔Matt Cook, ''A gay history of Britain: love and sex between men since the Middle Ages'' - P. 67.〕
Kynaston went on to make a successful career in male roles and was noted for his portrayal of Shakespeare's ''Henry IV''. He retired in 1699.

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